Vicky Higginson and Anna May Kirk announced as 2024 Christine and Stephen Procter Fellows

Vicky Higginson, Coping Mechanism: for things left unsaid, 2022. Blown, carved, engraved and mirrored glass with interior graal technique, steel frames, lab clamps, tubing, pigeon and crow feathers. Dimensions vary. Max 150x300x200cm. Photo credit Anna Arca

The Glass Workshop at the ANU School of Art and Design is pleased to announce the latest winners of the Christine and Stephen Procter Fellowship. Honouring Christine and Stephen’s shared vision of international exchange and travel, the new fellows will build on Stephen’s legacy of highly crafted glass, optics and light with a distinctive contemporary interpretation. The selected Fellows are Vicky Higginson and Anna May Kirk.

Whilst Vicky Higginson’s folk-futurist glasswork is a metaphorical lens to explore mental health and healing, Anna May Kirk is literally making lenses through which to understand more-than-human planetary events.

International Fellow, Vicky Higginson, is a freelance artist based in Edinburgh, UK. She uses blown and cold-worked glass combined with vernacular materials to explore ideas of culture, ritual and personal narrative. Vicky creates visually intriguing objects through investigations of coded mark-making on unsettling sculptural compositions. Taking their forms from historical medical implements such as violet ray machines, ear trumpets and anaesthesia inhalers, her Coping Mechanisms are impossible devices to treat emotional ailments. This work was commissioned for the Jerwood Art Fund Makers Open and now in the permanent collection of Aberdeen Art Gallery, UK. During her ANU Glass Workshop residency (February – April 2024), Vicky looks forward to being inspired by Australia’s rich history, making and contemporary craft.

Anna May Kirkis an emerging multi-disciplinary artist, curator and creative producer based on Gadigal land. Her winning proposal for the domestic Procter Fellowship, Year Without a Sun, explores the eruption of Mt Tambora in Indonesia. This period from 1815-1818 is now viewed as a climate change case study for the cultural, social and economic impacts of sudden temperature and weather shifts. Through a residency at ANU, she will experiment with melting black volcanic sand from the site of this historical climate event into optical camera lenses. Kirk will then travel to Greenland with Arctic Culture Lab to film its climatically impacted landscapes through these lenses and optical sculptures. In doing so, the past climate catastrophe caused by the eruption of Mt Tambora is reanimated as an eye through which to view present climate change. Anna’s residency in the Glass Workshop will commence in 2025.

The selection committee for the 2024 Fellowship included: Bree Pickering, Director, National Portrait Gallery, Anna Rohan Procter, Procter Fellowship patron, and Dr Jeffrey Sarmiento, Senior Lecturer in the Glass Workshop, ANU School of Art & Design.

 

This article was originally published by the School of Art and Design, ANU here.

Image Gallery

Vicky Higginson, Coping Mechanism: to test emotional response, 2022 Blown, hot-sculpted, carved and mirrored glass, magpie feathers. 49x30x6cm. Photo credit Shannon Tofts
Anna May Kirk, Pyriscence—After Fire, 2021 Blown glass, eucalyptus oil, latex tubing, steel, lightbox, scent (Eucalyptus oils, water, smoke, lighting, soil, English Rose). 136cm h, 240cm w, 120cm Image courtesy of the Powerhouse Museum, photo credit Zan Wimberley.
Anna May Kirk, Year Without a Sun, 2023. Volcanic sand from Mount Tambora, glass, mild steel frame, video, projector, circular projection screen (65 × 65 × 1 cm), 14 minutes 35 seconds, 2023. Photo credit Jessica Maurer.
Anna May Kirk portrait, photo credit: Joe Brennan
Vicky Higginson, Coping Mechanism: to test emotional response, 2022 Blown, hot-sculpted, carved and mirrored glass, magpie feathers. 49x30x6cm. Photo credit Shannon Tofts
Anna May Kirk, Forecasting the touch of change, 2022 Blown glass, oxidising copper, storm glass chemical composition according to the 1859 instructions of Admiral Robert FitzRoy, video duration 5 minutes. Photo credit Document Photography.
Vicky Higginson at work in her studio in Edinburgh, UK. Photo courtesy of the artist