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The End of Deep History? The Finale
To mark the closure of the Research Centre for Deep History and the completion of the seven-year Laureate program, we ran a day-long event entitled The End of Deep History? On the 19th February 2025, we had plenty of time to ponder the value of ‘deep history’, where we’ve been as a team, and…
Global Humanities Institute on Inclusive Collaboration comes to ANU
Report by Professor Kylie Message-Jones, Director of the ANU Humanities Research Centre. The ANU Humanities Research Centre in partnership with the Institute of Advanced Studies at the University of Minnesota, the Universidad Autónoma de Yucatán, the University of California San Diego, the…
The death of inclusive AI? Dr Thao Phan discusses Trump’s fight against diversity
Amid President Trump's crusade against DEI, tech companies are reneging on promises to address bias in AI. This article was originally published in ANU Reporter by Luis Perez. In less than three years, ChatGPT has become the oracle of modern life. Some users like to whisper…
Can ancient pottery hold the clues to a food-resilient future?
In 2050, humanity will grapple with the unprecedented challenge of feeding nearly 10 billion people against a backdrop of dwindling resources and climate unrest. While there are no silver bullets in sight, ANU archaeologist Mathieu Leclerc is searching for sustainable solutions where few are—the…
CASS Graduation February 2025
The February 2025 College of Arts and Social Sciences (CASS) graduation ceremony was a moment of pride and achievement for the incredible graduates. As they crossed the stage, their hard work, resilience, and dedication were on full display, marking the culmination of years of study and…
‘I was rattled by it all’: Daniel Bartholomaeus on becoming ACT Young Australian of the Year
Written by Erika McGown. Daniel Bartholomaeus sat with his hands pressed tightly over his mouth, his eyes wide with disbelief, sheer shock and excitement radiating. He had just heard his name announced as the 2025 ACT Young Australian of the Year. Minutes before, Daniel had sat in the…
Why bad posh English accents still rule Hollywood, from Nosferatu to Gladiator II
Written by Dr Gemma King. In two of the biggest films released this summer, Gladiator II and Nosferatu, most actors seem to be speaking like they’re in a Shakespeare play – even though their characters are based in Ancient Rome and 1830s Germany. Where does this false British accent come from?…